Image: A black and white image from above. San looks up into the camera with a slight smile. They are white with short, light-brown hair and an eyebrow piercing. They wear a black jumper with a collared shirt beneath it, jeans and black boots. San leans on a cane with their left hand. Photo by Tiu Makkonen.
Contact San: sandra at blissfultimes.ca
Sandra is a writer, filmmaker and interdisciplinary artist. Sandra is co-editor, with Khairani Barokka and Daniel Sluman, of the anthology Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches, UK, 2017). She has published widely, including three books of poetry in Toronto. Manchester's Comma Press recently published Sandra's short stories in several anthologies, Thought X: Fictions and Hypotheticals, Protest! Stories of Resistance, and The Mirror in the Mirror. Sandra's live short story with film, Equivalence, was featured on the big screen/stage at Edinburgh Filmhouse in 2017 and Barbican (Transpose) in 2016.
Besides publishing stories and poetry, Sandra directs short DIY documentaries and experimental poetry films. In 2016-17, she was commissioned to co-create five new short docs and a curated playlist as part of Disability Arts Online's Viewfinder project, in collaboration with Lisa Mattocks and SICK! Festival. She also co-made four short films (three in BSL) with Ania Urbanowska. Sandra curates many events, including Scotland's accessible queer and trans arts project, Cachín Cachán Cachunga! Most recently, she programmed the first widely-accessible film programme at BFI Flare, featuring LGBTQ+ disabled and D/deaf filmmakers and performers.
Disability Arts Online, June 2017: History into Fiction: From Blind Asylums, to Glasgow Strikes and Riots (including Jujitsu Suffragettes!), to The 1920 Blind March
Disability Arts Online, February 2017: Sins Invalid: ‘Skin, Tooth, and Bone – The Basis of Movement is Our People: A Disability Justice Primer’
Disability Arts Online, June 2016: Nothing About Us Without Us: An Overview of Disability/ Deaf Representation in Film
San is available as a source and for personal essays, opinion editorial, and reported features
Additional communication availability: Phone, text, chat, videoconference
Languages: English, Spanish (proficient), French (proficient)